The "Brit a Day" series

What does a months-long parade of attractive British men have to do with fiction, you might well ask? These gentlemen have inspired some lovely scenes, part of the life I live in my head. Over time, some of these scenes reach out to one another and begin to form a story. For the present, each one of these pictures provides a writing prompt for me, a way to keep me writing with a sense of passion and narrative, even when the stories are not yet fully formed.



Monday, May 31, 2010

A Brit a Day [#115]

More fan art and I don't know who to thank or credit, just FanPop where I picked this up. 'American Psycho' is the best film Christian Bale has made, in my humble opinion. This graphic is based on a photograph I've seen, but this interpretation is somehow much more seductive.

If anyone knows the creators of the works I feature this week, please let me know so that I can credit them.

Sunday, May 30, 2010

A Brit a Day [#114]

This week we are going to see the cast in some amazing fan art. I will credit it whenever possible. Alas, I do not know what artist to thank for this beautiful Snape/Rickman fantasy. I had googled 'sonya walger alan rickman' at the time I came across it.

Saturday, May 29, 2010

A Brit a Day [#113]

Radiohead, part 2.

Here's Thom Yorke, your quintessential Brit rock star--accessible Englishman and rude introvert at the same time, activist citizen of the world and snobby elder-statesman of rock in the same instant--talking about the MTV-Exit video for "All I Need"--


Friday, May 28, 2010

A Brit a Day [#112]



I'm giving Eddie Argos the day off to focus on a different Brit band today, Radiohead. I've been watching 'Slumdog Millionaire' on DVD in 20-30 minute chunks, and I'm about half way through it. It is beautiful and utterly excruciating. 'Slumdog' brings me back into the world of this video that Radiohead produced with MTV Exit, choreographed to their song "All I Need", promoting awareness of human trafficking.

I found this video right after I started listening to Radiohead's album 'In Rainbows'--"All I Need" is my favorite song from 'In Rainbows.' And that all happened about the time I discovered the work of photographer Gregory Crewdson, whose pictures are presented in galleries as 8 foot wide prints. Each Crewdson photo has as much detail and production value as a little movie. I love his work, and I can't begin to do it justice here due to the scale. But I can tell you that, for me, the lyrics to "All I Need" are inextricably linked to his pictures.

I'm the next act
Waiting in the wings

I'm an animal
Trapped in your hot car

I am all the days
That you choose to ignore

You are all I need
You are all I need
I'm in the middle of your picture
Lying in the reeds

I'm a moth
Who just wants to share your light

I'm just an insect
Trying to get out of the night

I only stick with you
Because there are no others

You are all I need
You're all I need
I'm in the middle your picture
Lying in the reeds

It's all wrong
It's all right
It's all wrong



Wednesday, May 26, 2010

A Brit a Day [#111]

This is for Thursday.

Yes, it's from 'Lost,' but look at the 'bigger picture' when you look at this picture. I see Saturday afternoon, and I'm walking into the garage. There's my dad and my brother [or dad and my boyfriend] doing what guys do in the garage on a Saturday. Really, look at Terry O'Quinn. Isn't that the posture of your dad when he tried to fix the microwave himself.? Look at Ian Cusick. That's your brother [or your boyfriend] on the day he found an oscilloscope at a yard sale. That's men being men or boys being boys, and you love them more than ever.

A Brit a Day [#110]

Absolutely no idea where this could be. There's a guy in papal head gear in the rear and a building labelled 'Switzerland' in English. Not Disneyland, maybe EuroDisney. No matter, because Jason Isaacs looks quite comfortable in his jeans and hoodie. The dry leaves and Jason's long sleeves imply autumn and an overcast sky. Put your arm around me, keep me warm, take me for coffee, then let me go home for a nap.

Tuesday, May 25, 2010

A Brit a Day [#109]

The cast of 'Harry Potter' mourns the loss of 'Lost.' Nah, not really. Daniel Radcliffe and Emma Watson in HP4.

Monday, May 24, 2010

A Brit a Day [#107 and #108]

Dedicated to Ian and Dominic in appreciation for their years of brilliant work on 'Lost.'

So, about that finale.....well, no spoilers here. Because I have believed for most of my adult life that if you were to replace the word "God" with the word "opportunity" in most religious contexts, you would then create an essentially spiritual context that almost anyone could agree with.

Thank you, 'Lost'.....for the love, the enlightenment, and for touching us with opportunity.

Friday, May 21, 2010

New posts at LiveJournal

I just posted the first 2 parts of a story at LiveJournal that most of you have never read before. This story hasn't been seen in public since MySpace ate it...and it has definitely never appeared on this "fiction, mostly" blog. Thank god I saved a copy. Check back often at this link here below because I will be posting more older short stories at LJ that have never appeared on this blog.

http://janellla.livejournal.com/

That's janela with 3 L's.

A Brit a Day [#106]

This post is for Saturday. I'll be in Orange County, so I'm posting early.

This photo literally fell into my lap today--well, my laptop. What a perfect image to end the Week of Dressing Nicely. The unbelievably handsome Henry Ian Cusick in his final appearance as Desmond Hume on 'Lost' [gulp]. I suppose I should have waited 2 days and made this post #108.

A Brit a Day [#105]

Eddie Argos has always had an unusual sense of style and prefers to dress up rather than dress down. So it's not difficult to find a picture of him in a suit and tie. But this photo of Art Brut has always been special to me--I call it the Eddie Argos String Quintet.

Wednesday, May 19, 2010

Hadrian's Wall--the conclusion



PART 4—THE GIRL WITH HER ARM IN A SLING WAITING FOR THE BUS

The down side of waiting for the bus in this unheated shelter is that I’m not moving much and it’s hard to keep warm. The nice Dr. Forester wanted to call Campus Security to help me with my lock-out problem, but I convinced him that I was expected at a friend’s apartment shortly for dinner and I would make the call there. I sort of implied that I didn’t have far to go if I walked from Student Health, so I was glad that the bus stop was out of sight from the doorway. He was so sincere, I didn’t want him to know that I’d told him lie upon lie. But then I saw the doctor leaving the parking lot with a woman in a car, and I know that he saw me too.

Calling campus security is simply not an option. The arm that is newly bandaged is colder than the other one for some reason, so I hug it closer to me with my good arm. My sweatshirt is brittle with the dried blood. If I called campus security they would ask to see my student ID before they’d even consider letting me into the room. And I don’t have one. I’m not a student here, I’ve never been a student here, and I’ve never even been to college. I’m just somebody’s well-kept-but-not-that-well-kept secret. I am—I was—Opal Solomon’s secret.

I came to New Haven two years ago with my boyfriend—we were both eighteen. We came here right after the end of high school so he could get a job and in-state status and apply to Uconn. I was going to then apply to Yale—I had the grades—and every grant, loan, and scholarship I could get my hands on. A year later, I finally had to admit that that plan was just as lame as it had sounded to everyone else back home. My boyfriend didn’t want me around anymore, and I found it wasn’t too hard to spend most of my time on the Yale campus, even though I didn’t belong there. Technically, I wasn’t homeless—I could still go back to the apartment if I wanted to put up with the abuse—but I found the porches, porticos and covered walkways of campus were a lot more welcoming. Throughout that summer—one year since I’d graduated high school—I got comfortable with taking handouts and leftovers from the kids leaving the dining halls. It was warm enough to sleep outside, and if I waited until it was completely dark to settle in for the night, the shadows in the doorways of campus buildings kept me safe from the real homeless people. And that was all fine, until the fall came and the campus got more crowded with both students and night-patrolling security. I found my safest little niche in the shrubbery by the Drama Building. That’s where Opal found me.

She was different to say the least. By then most people would avoid me. But she made me her cause. She convinced her roommates to let me crash in their dorm room for longer and longer periods of time as the weather got colder. I wasn’t SO bad, after all. I think they really liked having me there. I think I represented a kind of freedom that they had lost. They represented a dream I’d never attain.

Opal was a history major, and she loved to tell me about what she was studying. She knew when I met her that she was going to be transferring to Brown at the middle of the year because they had a better program for her. She was passionate about Roman Britain and the Picts. “Have you ever heard of Hadrian’s Wall?” she asked me one evening. We were both reading from her textbooks.

I knew from high school European history that Hadrian was a Roman emperor, and I knew from perusing the pictures in Opal’s history text that there has an ancient wall in Scotland that had been built to keep the Picts out of Roman England, so it wasn’t hard to guess that the Romans had built the wall in the name of their emperor Hadrian.

“Can you imagine,” Opal said, “What it would have been like to live near Hadrian’s Wall in the years just after it was built?” She was practically whispering, with all the drama of a ghost story told over a camp fire. “The Picts probably thought it was the coolest thing they’d ever seen. If I was a Pict, it would have MADE me want to invade England.” Opal would have made a great history teacher. “But the Roman’s on the other side, on the south side? They must have been scared to death of what was on the other side of the wall. It was the great, horrible unknown, full of terrifying people they’d heard about that were covered head to toe with blue tattoos, people they thought of as ferocious animals that they would never even try to understand. It was probably worse than having no wall at all—constantly comtemplating the horror of What If--Picts breaching the wall, heads on pikes, setting fire to their homes, carrying off their women to do god-knows-what to them.”

“I don’t know about that, Opal,” I said. But I had to confess that she made the thought of it come so alive for me, I actually shivered.

And now I’m shivering again in the real cold. Opal left for home at the end of term last week, and she’s not coming back before she transfers to Brown. We said our tearful goodbyes in the common area of the rooms she shared with roommates, the room where I had so often slept on the couch, where I had waited for a turn in the shower just like I was one of them. The night before she left, Opal gave me a bunch of her clothes. But the roommates were not so touched by our goodbyes that they invited me to stay. In fact they made it quite clear that after Opal left, there would be no place for me among them.

So that was last week. I know they’ve all left for the break now—the room has been dark for two nights. It has been fucking cold in the Drama School shrubbery and it hurts too fucking much to go back to my ex-boyfriend’s apartment and have unspeakable things done and said to me. But the combination of the two, hurting in the cold, is intolerable. That’s how I decided to use the dorm room over the break when know one was home. All I needed was to break in once, and then I’d always be able to get in somehow. I shouldn’t have gone to the infirmary—now I’ve completely lost my nerve to do what I’d planned. I guess I hoped, subconsciously, that when I went to have my arm looked at, they’d see things when I took off my sweatshirt that alarmed them enough to let me stay. But the cuts and bruises were masked by the accident I’d just had with the window. They thought I got them in the fall. I didn’t tell them otherwise.

Now I can’t stop thinking about Hadrian’s Wall. I’m there, Opal! It’s just outside the bounds of the light coming from this bus shelter. Somewhere in this cold night, Opal, I can feel the blue men breaching the Wall, armed with pikes. Do you think they’ll be terrifying? Do you think they’ll carry me away?

A Brit a Day [#104]







This is for Thursday.

I hate this watermark, but Getty is very possessive.

Henry Ian Cusick in Rome. When in Rome.....Italian shoes, a tuxedo pleated black shirt. I think we need more than one picture.

A Brit a Day [#103]

Real life is such a pain in the ass. The plumbers from yesterday found more trouble, want to dig a second big hole in my yard, and more than doubled the estimate [like to $9000]. My first thought was that one of the kids won't go to college. I said that out loud. I felt like Sophie choosing, not which child would live or die, but.....OK, that's catastrophizing and I'm not allowed to do that. I've had a lot of expensive therapy to teach me that I'm not supposed to do that. So it felt like a Hobson's choice--I can pay the plumber now or I can pay him even more later [and now]. Heh.

Jason Isaacs, in your lovely suit and open black shirt, nice little closely-cropped beard, take me away...there will be no Calgon infused baths for me until I get my sewer mainline replaced.